In 1932 Tovey endorsed the nineteenth-century belief that the work had been intended for the keyboard. In all, with the four puzzling Duets recorded here, Clavier-Übung III is seen to have 27 separate items. Its non-thematic bass remains exempt. This most likely became the basis for his lighter, more questing ‘Ricercare a 3’ which, in turn, joined canons and a trio sonata to make up Ein musikalisches Opfer (‘A Musical Offering’, 1747), a conjunction of contrapuntal works, dedicated to the Prussian king. Which raises the question—was The Art of Fugue merely set down as an elaborate intellectual exercise? Decca Eloquence 4825187, Recorded at Decca Studio 3, West Hampstead, London, England. Une version complète de la main de Bach précède la version publiée et les gravures sur cuivre de rigueur furent en partie supervisées par lui. There is an oblique descending-third reference to a hymn utilised in the cantatas: viz. Thanks to contributors: Holger Bünte-Majoor (March 2015), Wim Girard Bowe (July 2013), Guy Glenet (February 2008), Paul Hodges (May 2005), Teddy Kaufman (July 2007), Bradley Lehman (January 2004), Alain Rimbault (October 2016), John Simkiss (January 2009), Jana Slámová (June 2007), Terms of Use Écoutez Bach: L'art de la fugue par Régis Allard sur Deezer. J.S. Inventivité, créativité, richesse, ces trois mots ne peuvent suffire à définir tout le potentiel du compositeur allemand. Above all it summarizes the entire known potential of counterpoint. 1080 [A-1], From Die Kunst der Fuge BWV 1080: Bach: die kunst der fuge bwv. Bach had not finished the final fugue, superscribed ‘Fuga a soggeti’ in the printed version; Contrapunctus 14 in this recording (Graeser No 19, see below). Accord 465893, 2-LP / TT: 90:16 In fact Graeser had simply split the work into two parts, each one beginning with limited forces (string quartet or harpsichord). Prelude & Fugue in B flat major on the Name BACH BWV 898 [5:21], Glenn Gould (Organ) [1] [1960 Casavant] But during his final months, work on publishing The Art of Fugue had already begun. 1st recording of Die Kunst der Fuge BWV 1080 by G. Malcolm. RISTENPART, KARL - bach; l'art de la fugue - RE-1511-2-MU. Indeed there is no great stumbling block up to Contrapunctus 11. Its main theme is inverted and a chromatic counter-subject is maintained throughout. L'Art de la fugue--the Art of fugue--die Kunst der Fuge. The Art of Fugue (or The Art of the Fugue; German: Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach (1685–1750). oeuvre musicale dite « classique » avec l’Art de la fugue de Bach et dix interprètes. Célimène Daudet - Bach: L'art de la fugue, BWV 1080 × Mes favoris. Orchestre symphonique Giuseppe Verdi de Milan Direction : Riccardo Chailly - 2004 Soumis par Anonyme (non vérifié) le 2013-04-03 20:24. The original print was engraved in the main by J G Schübler of Zella. Bach: L'art de la fugue [2-LP] [A-1] Write a review | Ask a question Sale price ¥539 Regular price ¥770. Ici Bernard Foccroulle a choisit l'orgue du " Temple du Bouclier " de Strasbourg, et en tire des couleurs et des registrations rarement entendues dans cette oeuvre ! He published an open-score edition as well as one for keyboard. A complete version in Bach’s autograph predates the published one and the formal copper engraving was partially supervised by him. Die Kunst der Fuge BWV 1080 - Contrapunctus 1-9 Voici l'analyse des transformations présentes dans la fugue illustrées sous forme video afin de mieux comprendre comment interagissent les différents composantes et les transformées qu'ils subisssent. Most academics detect Bach’s influence in the ordering of the pieces to this point though several ponder over the use of three (not four) ‘stretto’ counter fugues; Contrapuncti 5-7. See Contrapuntal Compositional Techniques : The Fugue for an introduction to the fugue. Bar 23 brings a second exposition. Seuls 30 exemplaires de L’Art de la fugue furent vendus à l’époque, et plus tard, les caractères de cuivre utilisés pour imprimer la partition furent revendus par ses fils comme de la simple ferraille, dans l’espoir d’aider la famille à rentrer dans ses frais. œ œ . Together they lead to Contrapunctus 14, the closing B-A-C-H fugue. Comprend 13 contrepoints, 4 canons et 3 fugues (dont 1 inachevée) J. S. Bach. Sony Classical SB2K-62331, Recorded at 30th Street Studios, New York City, New York, USA. Bach’s uncommonly severe chorale preludes and even more the four peculiar Duets with abrupt, chromatic and (sometimes) bitonal strands, accentuate the diversity. By Johann Sebastian Bach. Buy download online. Buy this album at: Amazon.com, J.S. The following year work commenced and, despite the ravages of a fatal eye disease, this final profound undertaking was almost completed in the year of his death (1750). 2-LP / TT: 90:16 | Amazon.com, J.S. Bach: L'art de la fugue BWV 1080 [Import anglais]: Jean-Sébastien Bach, Grigory Sokolov: Amazon.fr | Formats: CD, Vinyl, MP3 |Livraison gratuite dès 25 € d'achat Canon (in Hypodiapason) alla Ottava: One of four canonical fugues. Add to Cart. Stream songs including "L'Art de la Fugue, BWV 1080: Rehearsal in English", "L'Art de la Fugue, BWV 1080: Announcement" and more. Then Canon ‘alla Decima, Contrapuncto alla Terza’ with the syncopated inversion heralds the first of the two mirror fugues. The Art of Fugue is universally upheld as a major intellectual tour de force of Western civilisation; one of the great wonders of musical art. Régis Allard. Contrapunctus 8: A three-part triple fugue and one of the most outwardly attractive items of the entire work. With this recording Tatiana Nikolayeva adopts a sequentially-patterned progression of related fugues and intervening canons. Standard dictionaries define counterpoint thus: Etymology is well and good. CD (2012): Amazon.com | Amazon.co.uk | Amazon.de, Recorded at Kreuzeskirche, Essen, North Rhine-Westphalia, Germany. Bach: The Art of Fugue [A-1], Melodiya 33D-023311 Bach’s treatment of the royal theme has a variety of changing motifs. News of this event spread through Europe like wildfire. 2nd recording of Die Kunst der Fuge BWV 1080 by G. Leonhardt. Johann Sebastian Bach est le premier de sa lignée à dissimuler dans son œuvre le motif tiré de son nom : B.A.C.H., ou si bémol-la-do-si bécarre. It is heard in stretto and in inversion. Étrange que ce soit une jeune pianiste qui nous livre l'une des versions les plus spirituelle de l'Art de la Fugue. the inverted form at Contrapunctus 8). In two parts; the main theme is at first inverted, then played straight with substantial rhythmic changes and embellishments. L'Art de la fugue (en allemand : Die Kunst der Fuge) est une œuvre inachevée de Jean-Sébastien Bach (BWV 1080). Bach: L'Art de la Fugue - André Isoir on AllMusic - 2000 Cette première version contient 12 fugues et 2 canons. But his overriding aim was purely to exhibit the comprehensive possibilities of a single, simple ‘subject’ with various types of fugal and canonic writing. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. His second part had the canons, mirror fugues and the quadruple fugue. œ Once more the main theme is varied with passing notes. 2nd recording of AOF BWV 1080 by I. Ahlgrimm. inversus, János Sebestyén (Hapsichord); Zsuzsa Pertis (Harpsichord), Bach: Art of the Fugue [A-2] Moreover it appears to have been submitted as an abstract counterpoint, independent of any particular instrumental setting. Pascal: Die Kunst der Fuge BWV 1080, arranged for orchestra, Georg-Friedrich Hendel (Violin); André Navarra (Cello); Michel Debost (Flute); Alain Marion (Flute); Lucien Debray (Oboe); Jacques Chambon (Oboe); Maurice Bourgue L’Art de la Fugue ou un Nocturne de Chopin ? The Art of the Fugue in Wikipedia . The first of four canonical fugues; ‘alla Ottava’ takes its place between these introductory contrapuncti and three counter fugues viz. “Sous les doigts de Tatiana Nikolaïeva, L’Art de la fugue de Bach devient une œuvre en trois dimensions : horizontale (l’ampleur du discours), verticale (la mise en lumière des consonances) et temporelle (la profondeur narrative). No et perdis aquesta versió del mateix contrapunctus 9 cantada per Swingle Singers :-) Whether Bach intended his variations for the organ or harpsichord, for chamber group or orchestra, remains unclear to this day. Buy L'art de la Fugue by Daudet, Celimene, Bach, Johann Sebastian from Amazon's Classical Music Store. Quantity. The second canonical fugue; ‘alla Duodecima in Contrapunto alla Quinta’ serves to heighten the distinction between Bach’s three counterfugues (as above) and the four fugues with several themes (Contrapunctus 8, 9 [‘alla Duodecima’], 10 [‘alla Decima’] and 11) occupying the first four tracks on CD. Like other performers and academicians he also produced a ‘complete’ version of the final, four-part fugue which breaks off after measure 239. L'Art de la fugue; The Art of Fugue (Die Kunst der Fuge) is an incomplete work of unspecified instrumentation by J.S. 10. Scherchen. The autograph is demonstrably in Bach’s hand while details of the printed version are, even now, not finally authenticated. Longtemps considérée comme une œuvre d’étude, non destinée au concert, elle est considérée comme un aboutissement de l’abstraction musicale, et beaucoup de questions se sont posées à son sujet : la destination (clavier – clavecin, orgue Karl Geiringer notes: ‘To make the mirror reflection doubly realistic, the treble of the first fugue becomes the bass of the second, the alto changes into a tenor, the tenor into an alto and the bass into a treble.’ The inversus appears like the rectus standing on its head. Bach:Musikalisches Opfer (L'offrande musicale) et Die Kunst der Fuge (L'art de la fugue) [A-3], Die Kunst der Fuge BWV 1080, in a version by Paul Kuentz [80:31], Paul Kuentz Chamber Orchestra (Orchestre de Chambre Paul Kuentz), Marie-Claire Alain (or Françoise Gangloff) (Organ); Monique Frasca-Colombier (Violin); Christos Michalakados (Viola); Jean Louis Hardy (Cello), Club National du Disque CND-41-1/2 There are extended polyphonic episodes in quadruple and triple counterpoint. Gabrieli and Frescobaldi, in particular, drew upon the form. Leonhardt Gustav, L'Art de la fugue denière œuvre se Bach pour le clavecin (traduction en français par Jacques Drillon). caccia); Karel Bidlo, Jan Mészáros (Bassoons); Břetislav Ludovík, Václav Snítil, Jiři Néanmoins le travail de publication de L’Art de la fugue avait déjà commencé quelques mois avant sa mort. Listen Download MP3: Bach (arr.Nichifor): L'Art de la fugue - version 8 guitares, 29-IV-2007, Bucarest, Roumanie 288x⬇ 3180x Listen Bach (arr.Nichifor): LArt de la fugue - version 4 guitares électriques, 9-IV-2016, Montréal, Canada Now the main theme is inverted and rythmically diversified. The fugue starts out as a canon at the tenth (upper decima). But the style reached its zenith with the three- and six-part examples in Bach’s ‘Musical Offering’ (1747). Bach: L'Art de la fugue (Die Kunst der Fuge) [A-2] Bach: L'art de la fugue BWV 1080, Partita n°2 BWV 826 Grigory Sokolov. Baxa, Jan Plšek, Jan Hölzel, Jan Köhler, Josef Kroft, Robert Mjazga (Violins); Jaroslav Motlík, Vladimír Klár, Karel Řehák (Violas); František Sláma, Karel 1. The upper part follows the lower at a distance of eight bars to the middle of the fugue; then the upper part leads with the lower trailing by eight bars (at the octave). Emission enregistrée en public le jeudi 19 janvier à 19h au studio 109. Bach’s son Carl Philipp Emanuel eventually took charge of the publication and it appeared posthumously in autumn 1751. Bach*, Orchestre De Chambre De La … Canon alla Duodecima in Contrapunto alla Quinta: In two parts. Organists turned to The Art of Fugue and the work was re-examined yet again. Says theorist Boyd, ‘The mere presence of the Duets still requires explanation, and Bach scholars are not in agreement even about the instrument they were written for.’. Contrapunctus 10 (alla Decima): Another new theme is introduced. In this way he set his personal seal on the work as a whole. Notes Collection personnelle - Side 1: Fugue 1 à IV, Canon à l’octave, Fugue V - Side 2: Fugues VI et VII, Canon par augmentation et mouvement contraire, Fugues VIII à X - Side 3: Fugue XI, Canon à la douzième, Fugues XII et XIII, Canon à la dizième - Side 4: Fugue XIV (inachevée), Choral “Devant ton trône je vais comparaître” BWV 668 The Ricercari have no stretti, no inversions and no subsidiary themes. 2. ‘We shall never know Bach’s innermost thoughts—all we can do is try to discover the meaning.’, ‘The remarkable Tatiana Nikolayeva … uncovers Bach's revelations as if they were her own’ (The Independent), ‘Absolutely superb. Hearing the BACH theme, the instant of unison with all three themes, then abrupt and sudden silence, gives the work a final shattering impact. 2. Sa phénoménale capacité d’invention, son sens extraordinaire de la forme, de la structure et du nombre, sans jamais négliger le côté expressif et musical de la création sont sans doute une des caractéristiques majeures de Bach. 16-Bit CD Quality 44.1 kHz - Stereo. Still greater difficulties arise with the remaining unnumbered items, so quixotically arranged in the first print. But the form is only understood when its principles are fully realised as they are within this masterpiece. Oeuvre testamentaire et inachevée de J.S Bach, " L'art de la fugue " peut-être indifféremment interprétée à l'orgue, à l'orchestre ou au piano. After the attentions of Graeser and Tovey in the late ’20s and early ’30s, a number of keyboard artists revived the work. This time passing notes serve to vary the inverted main theme. Isaacs) [B-1], Bach-L. Isaacs: Die Kunst der Fuge BWV 1080, arranged for chamber orchestra [87:20], Argo ZRG-5421-5422 Then Breitkopf of Leipzig assembled and printed the work for distribution during the town’s Michaelmas fair, beginning on 1 October (1747). Buy this album at: J.S. Bach: The Last Keyboard Works [B-1] No cal dir que, probablement, J. S. Bach coneixia obres com les Fugues i capricis a quatre, de François Roberday (1660), atès que Forkel, el seu biògraf principal, comenta que, abans de compondre L’Art de la fuga, havia estudiat detingudament obres antigues d’organistes francesos, grans mestres d’harmonia i de la fuga segons la tradició de l’època. The intervening element, Part III, begins with a prelude in E flat (BWV552), part of a larger five-part fugue which later re-emerges, once again in E flat and with three subjects. In fact the order of pieces on the autograph differs from that established from the printed version. Johann Sebastian Bach : Die Kunst der Fuge (L'Art de la fugue) | Johann Sebastian Bach by Bernard Foccroulle – Download and listen to the album 6-CD / TT: 381:25, Recorded at Saarlouis-Fraulautern, Saarebrücken, Germany. 3rd recording of Die Kunst der Fuge BWV 1080 by H. Scherchen. Includes only the first 9 Contrapuncti on organ; was intended as volume one of a complete recording, which was never finished. Canon alla Duodecima in Contrapuncto alla Quinta 4,7 étoiles sur 5 17. The increasing rhythmical and harmonic intensity retains its symmetry through recapitulations and later to a dimunution of motifs taken from the subject. | Copyright Policy Buy this album at:   L'Art de la fugue Johann Sebastian Bach. Kenneth Gilbert (harpsichord) CBC Toronto Chamber Orchestra, Hermann Scherchen L’Art de la Fugue synthétise parfaitement le savoir et le génie dans l’art du contrepoint de Bach. Un immense cube en bois, dont les surfaces tombent, s’effondrent ou coulissent, donne naissance à une multiplicité de paysages aux volumes changeants. On le découvre dès la Sonate BWV 966, dans diverses pièces religieuses ou encore dans L’Art de la fugue 1. Détails sur le produit. 1st recording of Die Kunst der Fuge BWV 1080 by T. Nikolayeva. ‘Every instrumentation must resort to a completely anachronistic group of instruments,’ he says. Jean-Sébastien Bach a œuvré toute sa vie pour que la musique resplendisse avec une modestie touchante et aimante. Contrapunctus 12 (Inversus): The entire four-part fugue is mirrored with its bass becoming the soprano and so forth. However, it could hardly be said to bear his imprimatur for at some point members of the family began passing pages to the ‘unknown’ engraver who continued working from the manuscript with no thought or understanding of the music or its true sequence. The Art of Fugue was regarded as a labyrinthine exercise; a drily academic tangle of uncommon severity. Vous êtes actuellement en train d’écouter des extraits. Each one argued persuasively that The Art of Fugue was most properly suited to his/her own instrument. Bach: L'art de la fugue, BWV 1080 Célimène Daudet. 16-Bit CD Quality 44.1 kHz - Stereo. Added to this were counterfugues where the first statement is inverted and recombined with its original form. Partitions. 2nd recording of Die Kunst der Fuge BWV 1080 by H. Scherchen. b b b b C C C C Flûte à bec Soprano Flûte à bec Alto Flûte à bec Tenor Flûte à bec Basse ∑ ∑ ∑ ˙ ˙ ∑ ∑ ∑ ˙ ˙ ∑ ∑ ∑ # ˙ œ œ ∑ ∑ ∑ ˙ œ . The simple, basic form of the theme is constantly changed, embellished and inverted. F W Marpurg’s added preface (1752) explains that this was to facilitate reading. The crux of this fugue is its simple, syncopated inversion. Consultez des crédits, des avis, des pistes et achetez la référence 1966 Vinyl de L'Art De La Fugue sur Discogs. Glenn Gould (Piano) [2, 3, 4], Jan-Feb 1962 [1]; Nov 1967 [3]; Apr 1980 [4]; Spring 1981 [2], Recorded at All Saints' Anglican Church, Toronto, Canada & Chapel of the Theological College, New York City [1]; CBC tevision broadcast, CBC Studios, Canada [2, 3]; Eaton's Auditorium, Toronto, Canada [4]. 4,6 étoiles sur 5 25. By 1930 and 1931 New York audiences were witness to performances by the Juilliard Graduate School under director Albert Stoessel. Until the present century many would-be performers remained doubly flummoxed as the score bore no directions about the work’s instrumentation. Jacques Drillon (Van de Velde, 1985) « Sur L'Art de la fugue », texte d'accompagnement de l'enregistrement vinyle de L'Art de la fugue, Deutsche Harmonia Mundi, 1969. Unlike contrapuncts within The Art of Fugue the splendour and severe lyricism of this Ricercare emerges from within the six entries and six additional statements of the theme, one in each voice. The exposition with its inverted response passes from bass to soprano and the augumentations are enriched by the four versions of the theme from Contrapunctus 6. 2nd recording of Die Kunst der Fuge BWV 1080 by K. Ristenpart. Avec L’Art de la fugue, au gré des notes de l’œuvre éponyme de Jean-Sébastien Bach, il joue de catastrophes sur le fil, de vacillements et de mouvements continus d’apparition et disparition des corps. Bach: L’Arte della fuga, Die Kunst der Fuge BWV 1080, orchestration by Hermann Scherchen, Orchestre de La Radio-Television Suisse Italienne (Lugano), Recorded live in Lugano, Switzerland. SKU:18-20-0428-136. Partager Copier le code d'intégration. Bach's keyboard works played by Rosalyn Tureck [K-9]. But Tatiana Nikolayeva should surely have the final word in this note. Complete your J.S. He declared, ‘Every student of the art … cannot fail to learn from it how to compose a good fugue and will therefore need no oral teacher, who often charges dearly enough.’ Schweitzer took a similar view in his J S Bach, le musicien-poète (1905). Two new themes are heard in straight configuration and reappear in contrapunctus 11. Graeser’s arrangement was soon set aside in favour of more economical instrumentations. But now, from mid-way its parts are interchanged. There are almost no dramatic effects; the most fantastic modulations take place discreetly, and the sequences are continually varied with a delicacy unparalleled in Baroque music.’. As we have seen, the nature of instrumentation is not documented. Gedalge André, Op. Fuga a 2 Clav. Berlin State Library, Germany. 2-CD (2017): Amazon.com | Amazon.co.uk | Amazon.de, The Canons are played by Johannes Ernst Köhler (Organ), J.S. Étude critique des sources. Buy this album at: It begins with a variation of the rythmically altered principal theme (cf. Apparently he distributed most of these among friends. Check out Bach: L'art de la fugue, BWV 1080 by Célimène Daudet on Amazon Music. C P E Bach himself thought the work’s greatest value was as a teaching aid. In the first eleven fugues Graeser adopted the order of the original; his first half comprised the four simple fugues, the three inverted fugues and the four double/triple fugues. His two eldest sons became agents for the ‘Offering’ in Halle and Berlin. Écoutez plus de 60 millions de titres avec votre abonnement illimité. The Clavier-Übung begins with six suites originally presented as a complete set in 1731. L'art de la Fugue (78 sheet music) Added by luisalcasa the 2020-11-11: 0 comment Your pseudo: You accept the terms ... Johann Sebastian Bach De Wikipedia, la enciclopedia libre Johann Sebastian Bach (Eisenach, Turingia, 21 de marzo de 1685 – Leipzig, 28 de julio de 1750) fue un organista y Buy this album at: Kei Koito Collection Paul Kuentz CPK-500-065, Recorded at… This is a simple four-part fugue with a chromatically moody counter-subject. The themes combine and recombine in both straight and inverted form; eight themes in all. See Full Cast + Crew for Jean Sebastien Bach: L'Art de la Fugue Features Load More Features Movie Reviews Presented by Rotten Tomatoes. Cédric Pescia décide de faire de la première Fugue un monument crépusculaire qui s’étire, s’étire… jusqu’à l’épanchement. Copier le lien pour partager la page. Find scores for Orchestration du Contrapuncus XIX de Lart de la fugue de Bach Berio at Sheet Music Plus. Some ricercari allowed each section its own theme. Écoutez votre album sur Deezer en synchronisant vos comptes Synchroniser. The middle section of the former becomes the upper part. Buy this album at: Amazon.com. Weighty orchestral incarnations all but vanished. Again there are two parts with the main theme changed. cit., p. 127-140. Bach: Art of Fugue [A-1] Contrapunctus 11: A four-part triple fugue. (Harpsichord), Recorded at Schloß Kirchheim, Cedernsaal, Germany. Die Kunst der Fuge BWV 1080, H.Scherchen´s orchestration. Contrapunctus 4: Again Bach employs the same inverted form of his theme. Bach y avait déjà fait allusion dans la notice nécrologique qu’il écrivit avec Agricola (élève et gendre de Bach), publiée en 1754, où il dit de L’Art de la fugue: «C’est là la dernière œuvre de l’auteur, qui contient toutes les formes de contrepoint et de canon, sur une seule phrase principale. II) / Deux Sonates at Discogs. View credits, reviews, tracks and shop for the 1969 Vinyl release of L'Art de la Fugue, Bwv 1080 on Discogs. While creating The Art of Fugue, the 65-year-old Bach embodied within the work unparalleled splendour and poetry. Avec Jean-Sébastien Bach, l'art de la fugue porte bien son nom. Nonesuch 73013 Karl Ristenpart Conducts J.S Bach L'art De La Fugue BWV 1080 [2-CD] [A-1], Die Kunst der Fuge BWV 1080, includes Counterpoint 1, 3, 2, 4, 14, 5-7, 15, 12-13, 16, arranged for chamber orchestra by Helmut Winschermann, Saarländischer Rundfunk Kammerorchester (Orchestre de chambre de la Radiodiffusion sarroise ), Huguette Dreyfus (Harpsichord); Robert Veyron-Lacroix (Harpsichord), Recorded at Saar, Fraulautern Minte, Germany. The neglected Four Duets are found within Part III of the four-part Clavier-Übung, patterned on a Neue Clavier-Übung (1689) from Johann Kuhnau, Bach’s forerunner as Thomaskantor in Leipzig. : 33D-023311, 33D-023312, 33D-023313, 33D-023314. 2-LP / TT: 90:16 Now the latter part of the theme appears in dotted rhythm. Discover releases, reviews, track listings, recommendations, and more about J.S. This … may account for the greater variety of instrumental attempts.’ The Dutch harpsichordist and scholar explains that Bach never used the soprano clef for flute, oboe or violin. Bach L'Art de la fugue. Contrapunctus 6: In four parts (‘in Stylo Francese’). Its shift from straight to inverted form occurs after the exposition. La lenteur émolliente et le rubato excessif de Tatiana Nikolaïeva diluent le contrepoint : le jeu se délite progressivement et nous assomme. J.S. C’est tout un cosmos musical, une lecture intime et méditative…. Now the total inversion has its own autonomous validity. Rectus Contrapunctus 12 (Rectus): A mirror fugue in four parts. Canon alla Decima (Contrapunto alla Terza): Bach’s technique repeats that on. Buy this album at: By the same token the lower part takes the middle, and the upper part is bass of the Inversus. For the second section parts are interchanged with the canon now in the double sub-octave. Bach, written in the last decade of his life, and acting as a culmination of his experimentation with monothematic instrumental works. Here the royal theme is enlarged with a quiet grandeur in the manner of a slow alla breve. Glenn Gould, L' Art de la Fugue, Jean-Sébastien Bach, Documentaire 1st recording of Die Kunst der Fuge BWV 1080 by M. Review: Scherchen AoF Stretti are variously spaced, both straight and inverted. Charles Rosen says eighteen (twenty as recorded here) of the most complex contrapuntal works do not fall by chance within the compass of two hands. Here it is played straight and serves to introduce the basic shape and character of the theme. Lorsque Bach mourut (1750), la … From the Musical Offering it is the 6-part Ricercare alone that survives in Bach’s own hand. Contapuncti 1, 2, 4, 9, 11, 13 14 on piano from later recordings. [E. Demeyere]. A sequence of liturgically-based chorale preludes (BWV669-89) separates these E flat episodes. That year, while visiting Potsdam, Bach was challenged by Frederick the Great to improvise a six-part ricercare. Copier. These are numbered Contrapunctus 13 (Rectus and Inversus) and Contrapunctus 12 (Rectus and Inversus) and are so ordered through a process of simple logic. Numbering of the first (scrupulously engraved) pieces may be based on a second ‘lost’ autograph, changed from the original layout by Bach himself. 6-CD (2004): Amazon.com | Amazon.co.uk | Amazon.de, Die Kunst der Fuge BWV 1080, instrumentation and realization by Milan Munclinger, Viktorie Švihlíková (Harpsichord); Josef Hála (Harpsichord); Jiři Mihule (Oboe); Stanislav Duchoň (Oboe, Oboe da